![]() Notable concert appearances include Messiah with San Francisco Symphony, Baltimore Symphony Orchestra, Houston Symphony, Louisiana Philharmonic, United States Naval Academy and University Musical Society in Ann Arbor. At Houston Grand Opera, he has performed Belcore in L’elisir d’amore, Papageno in The Magic Flute, Frank in Die Fledermaus, Masetto, Sharpless and Schaunard in John Caird’s new production of La bohéme, a role that also served as his European debut with Glyndebourne Festival Opera. Subsequent appearances included Escamillo in Calixto Bieito’s production of Carmen, Masetto, conducted by Marc Minkowski, and Elviro in Handel’s Xerxes. Previous seasons have included his Lyric Opera of Chicago debut as Masetto in a new production of Don Giovanni, conducted by Sir Andrew Davis, as well as San Francisco Opera debut as Tom in the world premiere of Christopher Theofanidis’ Heart of a Soldier in Francesca Zambello’s production. John Passion with Music of the Baroque in Chicago, conducted by Jane Glover, and a return to Mercury Houston to perform the bass solos in Bach’s St. 9 with Seattle Symphony, Handel’s Messiah with the New Jersey Symphony Orchestra, Bach’s St. Luke’s, conducted by Pablo Heras-Casado at Carnegie Hall, Beethoven’s Symphony No. ![]() ![]() Concert appearances included debuts with the BBC Proms, singing Kate Whitley’s “I am I say” with the Multi-Story Orchestra at Eastgate Centre Rooftop Car Park, Mozart’s Mass in C minor with the Orchestra of St. In the 2017-18 season, Michael Sumuel returned to Glyndebourne Festival Opera to perform Sharpless in Madama Butterfly and made his debut at Teatro Massimo di Palermo performing Theseus in Britten’s A Midsummer Night’s Dream. 9 with the Oklahoma City Philharmonic, Puccini’s Messa di Gloria with the San Diego Symphony, conducted by Speranza Scappucci and participate in a Schubertiade at Wolf Trap in Vienna, Virginia. 12 in B-flat with the Grant Park Music Festival in Chicago, Beethoven’s Symphony No. American bass-baritone Michael Sumuel, lauded as having “vocals are smooth and ingratiating” ( Daily Camera) returns in the 2018-19 season to perform Marcello in La bohème at Houston Grand Opera and Alidoro in La Cenerentola at Norwegian National Opera and Ballet.
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